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And now Mona knows no more nervousness, but with a steady and practised hand binds up his arm, and when all is finished pushes him gently (very gently) from her, and "with heart on her lips, and soul within her eyes," surveys with pride her handiwork. "'Sister Anne,' you mean?" says Nolly. "Oh, ay! I have seen her, though as a rule she is suppressed. She is quite all she ought to be, and irreproachable in every respect—unapproachable, according to some. She is a very good girl, and never misses a Saint's Day by any chance, never eats meat on Friday, or butter in Lent, and always confesses. But she is not of much account in the household, being averse to 'ye goode olde times.'" "Nolly, you have no romance in your nature," says Nicholas, severely..
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In the death-chamber silence reigns. No one moves, their very breathing seems hushed. Paul Rodney's eyes are closed. No faintest movement disturbs the slumber into which he seems to have fallen. The hour is enchanting, the air almost mild; and every one feels half aggrieved when the carriage, entering the lodge-gates, bears them swiftly towards the massive entrance that will lead them into the house and out of the cold. "The poor fellow is calling for you, Mona, incessantly," he says. "It remains with you to decide whether you will go to him or not. Geoffrey, you should have a voice in this matter, and I think she ought to go." "I mean," says Mona, flushing a vivid scarlet, "is she stern?".
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